“You Can See Everything,” an intimate look at Theranos founder Elizabeth Holmes, has earned nearly $80 million at the domestic box office, becoming A24’s third-highest release in North America. It overtakes “Everything Everywhere All at Once” and its $77 million investment to land a spot on the indie studio’s chart, and that film won the Oscar for Best Picture.
With $79.8 million stateside, “You Can See Everything” sits behind summer’s “Backrooms” ($197 million) and 2025’s “Marty Supreme” ($96 million) on the A24 release list. Other A24 films did more globally, with “Backrooms” earning more than $400 million, “Marty Supreme” taking in $192.4 million, and “Everything Everywhere All at Once” grossing $147.9 million.
However, “You Can See Everything” has not yet been released in most international markets. It is unclear whether Holmes’ fraud will resonate with filmmakers so far from Silicon Valley. It doesn’t matter if it doesn’t connect, because with a budget of $7 million, “You Can See Everything” is already extremely profitable. Its success means that Nathan Fielder and Lance Oppenheim, the two leaders behind the doc, are now in great demand.
“You Can See Everything” also jumped ahead of “March of the Penguins” ($77 million) on the list of top documentaries in North America. Variety reports that makes it the second highest-grossing doc behind Michael Moore’s “Fahrenheit 9/11,” which earned $119 million domestically. That doesn’t account for music documentaries like “Taylor Swift: The Eras Tour” ($267.1 million) and “This is It Michael Jackson” ($268 million), which were far more popular.
The A24 is on a hot stream. In addition to “Backrooms,” the indie studio has released hits like “The Drama” and “Primetime.” His latest film, “Club Kid,” earned an impressive $390,583 this weekend when it opened on six screens in New York and Los Angeles. That’s an average of $65,097 per screen. A24 got the drama about a tough gay man and his son out of the Cannes Film Festival, where it went to raves. The studio hopes to position the film and writer, director and star Jordan Firstman in the Oscar race.